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GADDI, Taddeo

Italian Early Renaissance Painter, ca.1300-1366
Italian Early Renaissance Painter, ca.1300-1366 (English)

Madonna och Barnen Enthroned med Ängeln och Sankt sd
Madonna and Child Enthroned with Angels and Saints sd (English)
Oljemålning Nr:: 6764
GADDI, Taddeo11.jpg
1355 Temperamenten på trä. 154 x 80 cm Galleri degli Uffizi. Florens
1355 Tempera on wood, 154 x 80 cm Galleria degli Uffizi, Florence (English)

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GADDI, Taddeo Saint Eligius in the Goldsmith's Shop (nn03) oil painting artist

Sankt Eligius inne om Guldsmed Affär (nn03)
Saint Eligius in the Goldsmith's Shop (nn03) (English)
Oljemålning Nr:: 23294
new8/GADDI, Taddeo-694273.jpg
c 1365 Temperamenten på panel 35 x 39 cm 13 3/4 x 15 3/8 i Fundera del Prado Madrid
c 1365 Tempera on panel 35 x 39 cm 13 3/4 x 15 3/8 in Museo del Prado Madrid (English)

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GADDI, Taddeo The Adoration of the Shepherds oil painting artist

Den Tillbedjan om Fåraherde
The Adoration of the Shepherds (English)
Oljemålning Nr:: 29698
new3/GADDI, Taddeo-978398.jpg
mk67 Temperamenten på panel 18 7/8x16 15/16in
mk67 Tempera on panel 18 7/8x16 15/16in (English)

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GADDI, Taddeo Life of the Virgin oil painting artist

Liv om Jungfru
Life of the Virgin (English)
Oljemålning Nr:: 40137
new12/GADDI, Taddeo-572797.jpg
mk156 1300-66 c.1330 Ny Baroncelli Kapellen
mk156 1300-66 c.1330 Fresco Baroncelli Chapel (English)

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Life of the Virgin
Oljemålning Nr:: 64730
new22/GADDI, Taddeo-892599.jpg
1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious

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