GADDI, Taddeo 3 Malmö (Tollarp,Kristianstad) Sweden oil painting reproduction

Oil On Canvas, Real Flavor of Old Masters

Swedish
SEK(kr)

Prev 1 2 3

Prev artist Next artist

GADDI, Taddeo

Italian Early Renaissance Painter, ca.1300-1366 Italian painter active in Florence. He was the son of a painter and mosaicist and a student of Giotto. His best-known works are frescoes in the church of Santa Croce in Florence. He directed a flourishing workshop for three decades, producing pictures in the style of Giotto but featuring more vivid picturesque effects with narrative detail. His son and pupil Agnolo (c. 1350 C 96) was an influential and prolific artist who likewise produced a notable series of frescoes for Santa Croce, The Legend of the True Cross

Madonna and Child Enthroned with Angels and Saints sd
Painting ID:: 6764
GADDI, Taddeo11.jpg

1355 Tempera on wood, 154 x 80 cm Galleria degli Uffizi, Florence

	Stretched Services
	Picture Frames

GADDI, Taddeo Saint Eligius in the Goldsmith's Shop (nn03) oil painting artist

Saint Eligius in the Goldsmith's Shop (nn03)
Painting ID:: 23294
new8/GADDI, Taddeo-694273.jpg

c 1365 Tempera on panel 35 x 39 cm 13 3/4 x 15 3/8 in Museo del Prado Madrid

	Stretched Services
	Picture Frames

GADDI, Taddeo The Adoration of the Shepherds oil painting artist

The Adoration of the Shepherds
Painting ID:: 29698
new3/GADDI, Taddeo-978398.jpg

mk67 Tempera on panel 18 7/8x16 15/16in

	Stretched Services
	Picture Frames

GADDI, Taddeo Life of the Virgin oil painting artist

Life of the Virgin
Painting ID:: 40137
new12/GADDI, Taddeo-572797.jpg

mk156 1300-66 c.1330 Fresco Baroncelli Chapel

	Stretched Services
	Picture Frames

Life of the Virgin
Painting ID:: 64730
new22/GADDI, Taddeo-892599.jpg

1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious

	Stretched Services
	Picture Frames

Prev 1 2 3

Prev artist Next artist

HOME