Oil On Canvas, Real Flavor of Old Masters

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Artist: Caravaggio
Caravaggio St Jerome 1607 Oil on canvas USA oil painting reproduction


Caravaggio St Jerome 1607 Oil on canvas Malmo Sweden oil painting reproduction

Painting ID::  62377
Caravaggio
St Jerome 1607 Oil on canvas
117 x 157 cm St John Museum, La Valletta This picture of the holy scholar was made for Ippolito Malaspina, a Maltese knight whose coat of arms is on the wooden panel to the right. He was connected by marriage to Caravaggio's patron Ottavio Costa and was a confidant of the Grand Master, who may have been used as the model for the saint (similarly Van Dyck was to use the sister of the Queen of England as model for the Madonna). The saint does indeed look like the knight in a recently discovered portrait by Caravaggio, who has been identified by some as Wignacourt himself. The composition is planned in terms of triangles. One rises from the table to the saint's head, another has its apex at the cardinal's hat on the wall to the left, a third recedes to the bedstead at the back on the right. This simple design helps convey an idea of simplicity. St Jerome has no halo, his workbench is rudimentary, he does not own any folios, he has one candle to see by, a crucifix to meditate on, a stone to beat against his chest, and a skull to remind him of his mortality. He is partly naked because he lives an eremitical life in the desert of Judaea. A steady light shines on his torso and picks out the red cloak round his legs. The source of the light is outside the picture, and can be interpreted as Christ, Light of the World
(new21/Caravaggio-844662.jpg)

Artist: GIuseppe Cesari Called Cavaliere arpino
GIuseppe Cesari Called Cavaliere arpino Diana and Actaeon USA oil painting reproduction


GIuseppe Cesari Called Cavaliere arpino Diana and Actaeon Malmo Sweden oil painting reproduction

Painting ID::  62380
GIuseppe Cesari Called Cavaliere arpino
Diana and Actaeon
1603-06 Oil on copper Museum of Fine Arts, Budapest Author: CESARI, Giuseppe Title: Diana and Actaeon (detail) , 1601-1650 , Italian Form: painting , mythological
(new21/GIuseppe Cesari Called Cavaliere arpino-678482.jpg)

Artist: Caspar David Friedrich
Caspar David Friedrich The Wanderer above the Mists USA oil painting reproduction


Caspar David Friedrich The Wanderer above the Mists Malmo Sweden oil painting reproduction

Painting ID::  62388
Caspar David Friedrich
The Wanderer above the Mists
1817-18 Oil on canvas, 94,8 x 74,8 cm Kunsthalle, Hamburg In this painting Friedrich shows a lonely figure confronting nature in astonished reverence. Friedrich's figures who habitually turn their backs to gaze into the horizon or stare from windows with rapt attention are images of the artist. His Wanderer, frock-coated and stick in hand, has climbed to a rocky peak above swirling mountain mists; the viewer looks with his eyes, the angle of vision being exactly aligned to their level in the picture space. The foreground, the conventional plateau to give the viewer a fix on the subject, has been entirely dispensed with. Listen to Franz Schubert's Wanderer Fantasy, a piano piece composed in the same Romantic spirit as manifested by Friedrich's painting
(new21/Caspar David Friedrich-966326.jpg)

Artist: Maurice Prendergast
Maurice Prendergast Portrait of Ferenc USA oil painting reproduction


Maurice Prendergast Portrait of Ferenc Malmo Sweden oil painting reproduction

Painting ID::  62442
Maurice Prendergast
Portrait of Ferenc
318 x 220 cm Hungarian National Museum, Budapest Author: ENDER, Johann Title: Portrait of Ferenc Sz?ch?nyi , 1801-1850 , Austrian Form: painting , portrait
(new21/Maurice Prendergast-845359.jpg)

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Gentleman Portrait USA oil painting reproduction


Bartolome Esteban Murillo Gentleman Portrait Malmo Sweden oil painting reproduction

Painting ID::  62659
Bartolome Esteban Murillo
Gentleman Portrait
mk284 Oil on canvas 1670 198 x 127 cm Madrid, Museo del Prado
(new21/Bartolome Esteban Murillo-873789.jpg)

Artist: Winslow Homer
Winslow Homer Front-line players USA oil painting reproduction


Winslow Homer Front-line players Malmo Sweden oil painting reproduction

Painting ID::  62666
Winslow Homer
Front-line players
mk285 Oil Painting 60.9 x 96.5 cm Metropolitan Museum of Art, New York
(new21/Winslow Homer-884594.jpg)

Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes The Miracle of St Anthony USA oil painting reproduction


Francisco de goya y Lucientes The Miracle of St Anthony Malmo Sweden oil painting reproduction

Painting ID::  62829
Francisco de goya y Lucientes
The Miracle of St Anthony
1798 Fresco, width of detail 50 cm San Antonio de la Florida, Madrid Artist: GOYA Y LUCIENTES, Francisco de Title: The Miracle of St Anthony (detail) , painting Date: 1801-1850 Spanish : religious
(new21/Francisco de goya y Lucientes-392657.jpg)

Artist: Jean Baptiste Greuze
Jean Baptiste Greuze Septimius Severus and Caracalla USA oil painting reproduction


Jean Baptiste Greuze Septimius Severus and Caracalla Malmo Sweden oil painting reproduction

Painting ID::  62844
Jean Baptiste Greuze
Septimius Severus and Caracalla
1769 Oil on canvas, 124 x 160 cm Musee du Louvre, Paris This painting by Greuze is frankly Poussin-like. The artist wished to be recognized as a history painter; he chose an obscure subject to illustrate: Septimius Severus Roman emperor (146e11) reproaches his son, Caracalla for trying to assasinate him. Varied emotions are at work within it: from Caracalla's angry shame to the surprise of the chamberlain, Castor, at the emperor's recklessly heroic gesture which is at once a challenge and a rebuke. Artist: GREUZE, Jean-Baptiste Title: Septimius Severus and Caracalla Date: 1751-1800 French , painting : historical
(new21/Jean Baptiste Greuze-973389.jpg)

Artist: Theodore Gericault
Theodore Gericault The Epsom Derby USA oil painting reproduction


Theodore Gericault The Epsom Derby Malmo Sweden oil painting reproduction

Painting ID::  62847
Theodore Gericault
The Epsom Derby
1821 Oil on canvas, 92 x 122 cm Musee du Louvre, Paris Painted in 1821, during Gericault's stay in London, the canvas takes its inspiration from English sporting prints, which frequently depict horses at the 'flying gallop' shown by the painter here. The invention of photography, by allowing the various movements of a galloping animal to be analysed, would allow it to be painted accurately, as Degas was to do in his Race-course paintings. Artist: GeRICAULT, Theodore Title: The Epsom Derby , painting Date: 1801-1850 French : other
(new21/Theodore Gericault-996945.jpg)

Artist: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo USA oil painting reproduction


Michelangelo Buonarroti Ignudo Malmo Sweden oil painting reproduction

Painting ID::  62918
Michelangelo Buonarroti
Ignudo
Vatican The picture shows the Ignudo at the lower left corner of the Sacrifice of Noah (above the Erythraean Sibyl). The ignudi in the third bay are painted with greater fluency and the modeling is more delicate - with greater attention being paid to the reflections and the subtle effects of light and shade - than those of the first bay. Moreover, their poses are no longer wholly symmetrical. In fact, in the two figures on the left, only the lower part of the body is symmetrical, while the twisting of the bust and the head are expressions of contrapposto. The right arms of both are, however, extended toward the centre in order to hold the ribbon supporting the medallion. On the other hand, the ignudi on the right lean out toward the exterior, and the only difference between them appears to be the position of their arms. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-548833.jpg)

Artist: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo USA oil painting reproduction


Michelangelo Buonarroti Ignudo Malmo Sweden oil painting reproduction

Painting ID::  62919
Michelangelo Buonarroti
Ignudo
Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the upper right corner of the Sacrifice of Noah (above the prophet Isaiah). The ignudi in the third bay are painted with greater fluency and the modeling is more delicate - with greater attention being paid to the reflections and the subtle effects of light and shade - than those of the first bay. Moreover, their poses are no longer wholly symmetrical. In fact, in the two figures on the left, only the lower part of the body is symmetrical, while the twisting of the bust and the head are expressions of contrapposto. The right arms of both are, however, extended toward the centre in order to hold the ribbon supporting the medallion. On the other hand, the ignudi on the right lean out toward the exterior, and the only difference between them appears to be the position of their arms. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-348339.jpg)

Artist: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo USA oil painting reproduction


Michelangelo Buonarroti Ignudo Malmo Sweden oil painting reproduction

Painting ID::  62920
Michelangelo Buonarroti
Ignudo
1509-10 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower left corner of the Creation of Eve (above the prophet Ezekiel). In the four ignudi of the fifth bay who hold the yellow ribbons interwoven with the bronze-coloured medallions, the use of contrapposta with a variety of gestures and poses has now been replaced the symmetrical arrangement of figures. The relationship between the figures, placed opposite each other in pairs, is based on increasingly free and complex rhythmical correspondences, with rotating movements and pronounced bendings of the limbs. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-926227.jpg)

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