land04145 Oljemålningar och Ramar,Bild inrätta,spegel landscape

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OljeMålningar::. Alla Landskap >> Hav & Segelbåt

Oljemålning Nr:: 62785
Winslow Homer
Natural Bridge
mk285 Watercolor 1898 36.8 x 54.3 cm Metropolitan Museum of Art, New York

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Oljemålning Nr:: 62788
Winslow Homer
River fishing
mk285 1902 Watercolor 35.4 x 52.4 cm Nian Brooklyn Art Collection

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Oljemålning Nr:: 62793
Winslow Homer
Leeward Coast
mk285 1900 Oil on 98 x 99 cm U.S. Rhode Island School of Design Tibet

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Oljemålning Nr:: 62794
Winslow Homer
Driftwood
mk285 1909 Oil on 62 x 71 cm private possession of

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Oljemålning Nr:: 62795
Winslow Homer
Vessels away by strong wind
mk285 1888 Watercolor 25.7 x 48.3 cm Nian Brooklyn Museum of Art

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Oljemålning Nr:: 62796
Winslow Homer
Anchor ready to berthing
mk285 1903 Watercolor 40.3 x 55.5 cm Washington, National Gallery of Art Tibet

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Oljemålning Nr:: 63058
GUARDI, Francesco
The Doge on the Bucentaur at San Niccol del Lido
1766-70 Oil on canvas, 67 x 100 cm Musee du Louvre, Paris This painting belongs to a series of twelve canvases, almost all in the Louvre, which recount the various episodes in the election of Doge Alvise Mocenigo of Venice in 1763. In reporting this event Guardi was inspired by engravings after the other master of the Venetian veduta (view), Antonio Canaletto. An observant and picturesque record of the traditional Venetian festival, which was part official ceremony and part popular rejoicing, this series attests to the pictorial verve of Guardi and to his sensitivity to the most fleeting atmospheric effects, worthy of the Impressionists over a century later. Artist: GUARDI, Francesco Painting Title: The Doge on the Bucentaur at San Niccol?del Lido , 1751-1800 Painting Style: Italian , , landscape

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Oljemålning Nr:: 63060
GUARDI, Francesco
Gondola
25 x 38 cm Museo Poldi Pezzoli, Milan The lonely gondola is seen in the lagoon at the Fondamente Nuove, in front of the islands of San Cristoforo and San Michele. Artist: GUARDI, Francesco Painting Title: Gondola , 1751-1800 Painting Style: Italian , , landscape

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Oljemålning Nr:: 63063
VLIEGER, Simon de
Stormy Sea - Oil on wood
37 x 49,5 cm Private collection Artist: VLIEGER, Simon de Painting Title: Stormy Sea , 1601-1650 Painting Style: Dutch , , landscape

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Oljemålning Nr:: 63070
CARLEVARIS, Luca
Seascape
147,5 x 179 cm Private collection Artist: CARLEVARIS, Luca Painting Title: Seascape , 1701-1750 Painting Style: Italian , , landscape

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Oljemålning Nr:: 64189
AVERCAMP, Hendrick
River Landscape
Pen drawing and watercolour on paper, 184 x 284 mm Musees Royaux des Beaux-Arts, Brussels After an apprenticeship in Amsterdam with portrait and historical painter Pieter Isaacsz., Hendrick Avercamp began to specialise in painting winter landscapes. In composing these he drew on a large supply of sketches of individual figures drawn from life. These rapid sketches of people going about their daily activities and pastimes on the ice or in the open field also served for composing, back in the studio, more developed, coloured drawings such as this River Landscape. His lively pen, the bright colour contrasts and the spatial continuity between the foreground and middle ground provide this scene with a freshness characteristic of the innovative middle period of Avercamp's career. The drawing attracts us with its narrative and realistic style. It is also very ingeniously structured, as can be seen in the skilful positioning of the man on the shore in the left-hand foreground, and in the lively interaction between the wind-swelled sails of the smaller and larger ships. The fishermen look on motionless, revealing the sober, at times humorous but never mocking eye that Avercamp casts on his surroundings. The contours of the figures are drawn in pen and the intervening space is carefully filled in with water colour and bodycolour. Avercamp probably borrowed the use of aquarelle and gouache from Jan Brueghel the Elder and the Flemish emigrants living in Amsterdam, such as Hans Bol, Jacob Savery and David Vinckboons, whose works he had got to know during his apprenticeship with Pieter Isaacsz. Avercamp was one of the first Dutch draughtsmen who in the early 17th century developed this aquarelle technique specifically as a separate, independent art form. His pen drawings, illuminated with water colours, were so carefully finished and richly detailed that they were highly sought after by connoisseurs and art lovers. Indeed some were not, as was customary, kept in albums, but glued to panels and framed, and hung as a cheap alternative to paintings. Avercamp directed his efforts not only at the local art market in and around Kampen, but also and in particular at that of Amsterdam, where, according to contemporary documents, he was held in high renown. , Artist: AVERCAMP, Hendrick , River Landscape , 1601-1650 , Dutch , graphics , landscape

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Oljemålning Nr:: 64224
PEETERS, Bonaventura the Elder
Storm on the Sea
60 x 85 cm National Gallery, Prague , Artist: PEETERS, Bonaventura the Elder , Shipwreck , 1601-1650 , Flemish , painting , landscape

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