Self-Portrait with a Bandage Albrecht Durer Oljemålningar,Ramar,spegel 63647

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Self-Portrait with a Bandage
1491-92 Pen drawing on paper, back side, 204 x 208 mm Graphische Sammlung der Universit?tsbibliothek, Erlangen D?rer's self portrait with a bandage presumably dates from the first period of his journeys; it was sketched with rapid strokes, and D?rer's face with his inquiring gaze stands out. The hand gesture is reminiscent of the tradition of depictions of Christ suffering, of melancholy and sleep. An interpretation of melancholy fits in most readily with a self portrait in this manner.Artist:D?RER, Albrecht Title: Self-Portrait with a Bandage Painted in 1501-1550 , German - - graphics : portrait

Albrecht Durer Self-Portrait with a Bandage

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Albrecht Durer:
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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