Caspar David Friedrich Oljemålning, Ram och Spegel i Tollarp (Kristianstad), oil painting frame mirror wholesale

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Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations
1774-1840 Caspar David Friedrich Locations (English)

The Cross Beside The Baltic
Oljemålning Nr:: 58875
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The Cross Beside The Baltic (1815, ', ', ', ', ', ', ', '), 45 ?? 33.5 cm. Schloss Charlottenburg, Berlin. This painting marked a move away by Friedrich from depictions in broad daylight, and a return to nocturnal scenes, twilight and a deeper poignancy of mood

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Caspar David Friedrich Moonrise Over the Sea oil painting artist

Moonrise Over the Sea
Oljemålning Nr:: 58876
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Moonrise Over the Sea (1822). 55 ?? 71 cm. Alte Nationalgalerie, Berlin. During the early 1820s, human figures appear with increasing frequency in the paintings. Of this period, Linda Siegel writes, "the importance of human life, particularly his family, now occupies his thoughts more and more, and his friends appear as frequent subjects in his art."[

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Caspar David Friedrich The Oak Tree in the Snow oil painting artist

The Oak Tree in the Snow
Oljemålning Nr:: 58878
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The Oak Tree in the Snow (1829). 71 ?? 48 cm. Alte Nationalgalerie, Berlin. Friedrich was one of the first artists to portray winter landscapes as stark and dead. His winter scenes are solemn and still??according to the art historian Hermann Beenken, Friedrich painted winter scenes in which "no man has yet set his foot".

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Caspar David Friedrich The Stages of Life oil painting artist

The Stages of Life
Oljemålning Nr:: 58879
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The Stages of Life (Die Lebensstufen (1835). Museum der Bildenden K??nste, Leipzig. The Stages of Life is a meditation on the artist's own mortality, depicting five ships at various distances from the shore. The foreground similarly shows five figures at different stages of life

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Caspar David Friedrich The Giant Mountains oil painting artist

The Giant Mountains
Oljemålning Nr:: 58880
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The Giant Mountains (1830?C35). 72 ?? 102 cm. Alte Nationalgalerie, Berlin. Friedrich sought not just to explore the blissful enjoyment of a beautiful view, as in the classic conception, but rather to examine an instant of sublimity, a reunion with the spiritual self through the contemplation of nature

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