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RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640
Flemish Baroque Era Painter, 1577-1640 (English)

Portrait of Marchesa Brigida Spinola Doria
Oljemålning Nr:: 64568
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1606 Oil on canvas National Gallery of Art, Washington The painting was done while Rubens was in Genoa in 1606. It was cut down from a full-length portrait in which the young Marchesa (age 22) appears in the porch of a villa. We know this from a study drawing for the portrait, which is in the Pierpont Morgan Library, New York. Artist:RUBENS, Pieter Pauwel Title: Portrait of Marchesa Brigida Spinola Doria, 1601-1650, Flemish , painting , portrait

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RUBENS, Pieter Pauwel Portrait of Helena Fourment oil painting artist

Portrait of Helena Fourment
Oljemålning Nr:: 64569
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1630 Oil on canvas Mus?es Royaux des Beaux-Arts, Brussels Artist:RUBENS, Pieter Pauwel Title: Portrait of Helena Fourment, 1601-1650, Flemish , painting , portrait

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RUBENS, Pieter Pauwel The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medicis on May oil painting artist

The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medicis on May
Oljemålning Nr:: 64571
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1610 1623-25 Oil on canvas Mus?e du Louvre, Paris *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medicis on May 14, 1610, 1601-1650, Flemish , painting , historical

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RUBENS, Pieter Pauwel Landscape with Cows oil painting artist

Landscape with Cows
Oljemålning Nr:: 64572
new22/RUBENS, Pieter Pauwel-282225.jpg
1636 Oil on panel Alte Pinakothek, Munich *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Landscape with Cows, 1601-1650, Flemish , painting , landscape

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RUBENS, Pieter Pauwel Triumphal Entry of Henry IV into Paris oil painting artist

Triumphal Entry of Henry IV into Paris
Oljemålning Nr:: 64581
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1627-30 Oil on canvas, 380 x 692 cm Galleria degli Uffizi, Florence This canvas belongs to the unfinished cycle dedicated to Henry IV and shows the king, converted and victorious, entering Paris on 22 March 1594 at the end of a long period of internal struggles. Renouncing any reference to time or place, Rubens illustrates the episode in a complex allegorical context, creating an analogy with the triumph of a Roman emperor. In particular, the group of the crowned king and the architecture of the triumphal arch (derived from the Roman prototype of the arch of Titus), surmounted by soldiers and horses, arise from en evident reinterpretation of Mantegna's painting of Caesar's Chariot. *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Triumphal Entry of Henry IV into Paris, 1601-1650, Flemish , painting , historical

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