MASSYS, Quentin Oljemålning, Ram och Spegel i Tollarp (Kristianstad), oil painting frame mirror wholesale

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MASSYS, Quentin

Flemish Northern Renaissance Painter, ca.1465-1530
Flemish Northern Renaissance Painter, ca.1465-1530 (English)

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Portrait of a Canon (English)
Oljemålning Nr:: 33534
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mk86 c.1510-1520 Olja på trä 60x73cm Vaduz
mk86 c.1510-1520 Oil on wood 60x73cm Vaduz (English)

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MASSYS, Quentin Ecce Homo oil painting artist

Ecce Homo
Oljemålning Nr:: 43551
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c. 1515 Oil on panel 160 x 120 cm

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MASSYS, Quentin Christ on the Cross with Donors oil painting artist

Christ on the Cross with Donors
Oljemålning Nr:: 51047
new18/MASSYS, Quentin-379486.jpg
c. 1520 Oil on wood, 156 x 92,7 cm

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MASSYS, Quentin St Mary Magdalene oil painting artist

St Mary Magdalene
Oljemålning Nr:: 63974
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45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. , Artist: MASSYS, Quentin , St Mary Magdalene , 1451-1500 , Flemish , painting , religious

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MASSYS, Quentin Virgin with the Child oil painting artist

Virgin with the Child
Oljemålning Nr:: 63978
new21/MASSYS, Quentin-434942.jpg
22,5 cm Rockox House, Antwerp Around 1500, when the port of Antwerp began to emerge as the capital of north European trade, it also became a cultural melting pot. All manner of artists flocked into the town on the Scheldt. One of these was Quentin Massys from Louvain, who registered as a painter in the St. Lucas Guild in 1491, and is regarded as the founder of the Antwerp School which was soon to topple the hegemony of the School of Bruges. He remained faithful to the Flemish tradition, although the sfumato in the background of some of his landscapes shows that he was familiar with the work of Leonardo da Vinci. He is usually regarded as a painter of monumental works, and rightly so, but he also painted smaller scale scenes with figures. This is hardly surprising, since his technique had its sources in miniature paintings. The Holy Virgin with the Child Jesus, a small tondo, bears witness to the attention the master paid to sensitive, finely detailed drawing to express the tender movement of the form, and the subtle use of colour to convey the essence of a variety of textures. , Artist: MASSYS, Quentin , Virgin with the Child , 1451-1500 , Flemish Form

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