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(1594 - 12 August 1667) was a Dutch Golden Age landscape painter. Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine. His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
(1594 - 12 August 1667) was a Dutch Golden Age landscape painter. Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine. His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata. (English)

Cornelis van Poelenburch View of the Campo Vaccino oil painting artist


Cornelis van Poelenburch View of the Campo Vaccino oil painting artist

View of the Campo Vaccino
Oljemålning Nr::  91531
new25/Cornelis van Poelenburch-733398.jpg
1620(1620) Dimensions Height: 40 cm (15.7 in). Width: 55 cm (21.7 in). cyf


Cornelis van Poelenburch Mercury and Herse oil painting artist


Cornelis van Poelenburch Mercury and Herse oil painting artist

Mercury and Herse
Oljemålning Nr::  92474
new25/Cornelis van Poelenburch-539534.jpg
c. 1620(1620) Medium oil on panel Dimensions Height: 18 cm (7.1 in). Width: 27 cm (10.6 in). cjr


Cornelis van Poelenburch Entrance of a Grotto oil painting artist


Cornelis van Poelenburch Entrance of a Grotto oil painting artist

Entrance of a Grotto
Oljemålning Nr::  97104
new26/Cornelis van Poelenburch-756446.jpg
between 1624(1624) and 1630(1630) Medium oil on panel cyf


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