CHRISTUS, Petrus Oljemålning, Ram och Spegel i Tollarp (Kristianstad), oil painting frame mirror wholesale

Alla är helt 100% handmålade,Oljemålning På Duk.

Svenska
SEK(kr)

Spanska
EURO(€)

Engelska
USD($)

Franska
EURO(€)

Tyska
EURO(€)

Föregående 1 2 3 Nästa

Föregående Konstnär Nästa Konstnär

CHRISTUS, Petrus

Netherlandish Northern Renaissance Painter, ca.1410-1473
Netherlandish Northern Renaissance Painter, ca.1410-1473 (English)

Annunciation och Nativitet jkhj
Annunciation and Nativity jkhj (English)
Oljemålning Nr:: 6021
CHRISTUS, Petrus6.jpg
1452 Trä. 134 x 56 cm Staatliche Fundera. Berlin
1452 Wood, 134 x 56 cm Staatliche Museen, Berlin (English)

	Stretched Services
	Picture Frames

CHRISTUS, Petrus The Last Judgement hj oil painting artist

Den Sist Bedömning hj
The Last Judgement hj (English)
Oljemålning Nr:: 6022
CHRISTUS, Petrus7.jpg
1452 Olja på trä Staatliche Fundera. Berlin
1452 Oil on wood Staatliche Museen, Berlin (English)

	Stretched Services
	Picture Frames

CHRISTUS, Petrus Annunciation oil painting artist

Annunciation
Oljemålning Nr:: 63946
new21/CHRISTUS, Petrus-798759.jpg
1452 Wood, 85,5 x 54,8 cm Groeninge Museum, Bruges Petrus Christus belonged to the same generation as Van der Weyden, but was perhaps a little younger. He came to Bruges from North Brabant, possibly after completing his initial training in Haarlem. His style is strongly modelled on that of Van Eyck and so there is good reason for suspecting he was Jan's apprentice, even though he did not purchase free citizenship of Bruges until three years after his putative master's death. The two panels by Christus, the Annunciation and the Nativity were quite badly worn, but painstakingly restored. Both of them are signed and dated (1452) and were probably painted as part of a triptych or polyptych. They reveal Christus as a precise designer of space and moulder of volumes. The figures in the Annunciation resemble statues arranged in a geometrically constructed show-case. It is the first painting in the Netherlands with a correct central perspective. , Artist: CHRISTUS, Petrus , Annunciation , 1451-1500 , Flemish , painting , religious

	Stretched Services
	Picture Frames

CHRISTUS, Petrus Nativity oil painting artist

Nativity
Oljemålning Nr:: 63947
new21/CHRISTUS, Petrus-666826.jpg
1452 Wood, 85,5 x 54,8 cm Groeninge Museum, Bruges The two panels by Christus, the Annunciation and the Nativity were quite badly worn, but painstakingly restored. Both of them are signed and dated (1452) and were probably painted as part of a triptych or polyptych. They reveal Christus as a precise designer of space and moulder of volumes. The figures in the Annunciation resemble statues arranged in a geometrically constructed show-case. It is the first painting in the Netherlands with a correct central perspective. , Artist: CHRISTUS, Petrus , Nativity , 1451-1500 , Flemish , painting , religious

	Stretched Services
	Picture Frames

CHRISTUS, Petrus Potrait of a Carthusian oil painting artist

Potrait of a Carthusian
Oljemålning Nr:: 63970
new21/CHRISTUS, Petrus-968757.jpg
1446 Oil on wood, 29,2 x 21,6 cm Metropolitan Museum of Art, New York In 1444, three years after the death of Jan van Eyck, Petrus Christus left his homeland in the northern Netherlands to settle in Bruges. This portrait, one of Christus's earliest signed and dated works, shows van Eyck's influence in the technical virtuosity of the trompe-l'oeil fly and the carved inscription. The sitter, once transformed into a saint by the addition of a halo, is an unknown lay brother of the Carthusian order. The fly is a symbol of decay, a reminder of man's mortality, but it also greatly enhances the fiction of a real person gazing at us from behind a stone ledge in which Christus's signature appears as an incised inscription. , Artist: CHRISTUS, Petrus , Potrait of a Carthusian , 1451-1500 , Flemish , painting , portrait

	Stretched Services
	Picture Frames

Föregående 1 2 3 Nästa

Föregående Konstnär Nästa Konstnär