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Also called Jan Lys, (c. 1590 or 1597 - 1627 or 1631) was a leading German Baroque painter of the 17th century, active mainly in Venice. Liss was born in Oldenburg (Holstein) in Schleswig-Holstein, Germany. After an initial education in his home state, he continued his studies, according to Houbraken, with Hendrick Goltzius in Haarlem and Amsterdam. Around 1620 he travelled through Paris to Venice. He moved to Rome around 1620?C1622, and his first works there were influenced by the style of Caravaggio. Although his earlier work was concerned with the contrasts of light and shadow, his final move to Venice in the early 1620s modified his style and gave impetus to brilliant color and a spirited treatment of the painted surface.In 1627, he was created an admired large altarpiece, the Inspiration of Saint Jerome in San Nicole da Tolentino. His loose brushstrokes seem precursor to rococo styles of Guardi brothers.This final style, along with that of other "foreign" painters residing in Venice, Domenico Fetti and Bernardo Strozzi, represent the first inroads of Baroque style into the republic. Liss fled to Verona to escape the Plague spreading in Venice, but succumbed there prematurely in 1629. According to Houbraken, he worked day and night on his paintings, so that Joachim von Sandrart felt that his health was at risk and urged him to join him in Rome
Also called Jan Lys, (c. 1590 or 1597 - 1627 or 1631) was a leading German Baroque painter of the 17th century, active mainly in Venice. Liss was born in Oldenburg (Holstein) in Schleswig-Holstein, Germany. After an initial education in his home state, he continued his studies, according to Houbraken, with Hendrick Goltzius in Haarlem and Amsterdam. Around 1620 he travelled through Paris to Venice. He moved to Rome around 1620?C1622, and his first works there were influenced by the style of Caravaggio. Although his earlier work was concerned with the contrasts of light and shadow, his final move to Venice in the early 1620s modified his style and gave impetus to brilliant color and a spirited treatment of the painted surface.In 1627, he was created an admired large altarpiece, the Inspiration of Saint Jerome in San Nicole da Tolentino. His loose brushstrokes seem precursor to rococo styles of Guardi brothers.This final style, along with that of other "foreign" painters residing in Venice, Domenico Fetti and Bernardo Strozzi, represent the first inroads of Baroque style into the republic. Liss fled to Verona to escape the Plague spreading in Venice, but succumbed there prematurely in 1629. According to Houbraken, he worked day and night on his paintings, so that Joachim von Sandrart felt that his health was at risk and urged him to join him in Rome (English)

Johann Liss Death of Cleopatra oil painting artist


Johann Liss Death of Cleopatra oil painting artist

Death of Cleopatra
Oljemålning Nr::  70568
new23/Johann Liss-978947.jpg
Oil on canvas Dimensions


Johann Liss Morraspiel im Freien oil painting artist


Johann Liss Morraspiel im Freien oil painting artist

Morraspiel im Freien
Oljemålning Nr::  70623
new23/Johann Liss-888977.jpg
c. 1622 Oil on canvas 74 ?? 54 cm (29.13 ?? 21.26 in)


Johann Liss Sturz des Phaeton oil painting artist


Johann Liss Sturz des Phaeton oil painting artist

Sturz des Phaeton
Oljemålning Nr::  71423
new23/Johann Liss-435335.jpg
Sturz des Phaeton


Johann Liss Death of Cleopatra oil painting artist


Johann Liss Death of Cleopatra oil painting artist

Death of Cleopatra
Oljemålning Nr::  72557
new24/Johann Liss-446786.jpg
1622-24 Oil on canvas 97,5 X 85,5 cm cjr


Johann Liss Gastmahl der Ester Detail oil painting artist


Johann Liss Gastmahl der Ester Detail oil painting artist

Gastmahl der Ester Detail
Oljemålning Nr::  73090
new24/Johann Liss-456634.jpg
Date 1660-1700 Medium Oil on canvas cyf


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