Alla är helt 100% handmålade,Oljemålning På Duk.

Svenska

SEK(kr)

Spanska

EURO(€)

Engelska

USD($)

Franska

EURO(€)

Tyska

EURO(€)

  1
Föregående Konstnär      Nästa Konstnär    


   
(1648 - 1733), was a Dutch Golden Age painter. Gerard Hoet trained with his father and brother who were glass painters, and Warnard van Rijsen, who lived in Zaltbommel, and who himself was a pupil of Cornelis van Poelenburgh in Utrecht. In 1672 Hoet moved to The Hague, but when the Count of Salis bought paintings at his mother's house in Zaltbommel, he returned to paint for him. He accompanied him to Rees, Germany, where he met the Utrecht painters Jan van Bunnik, Justus Nieuwpoort and Andries de Wit.With De Wit he returned to Utrecht, where he worked for Frederick Nassau de Zuylestein briefly before visiting the Hague and Amsterdam. He then travelled to France on the promise of a Marquis who wanted to give him a commission, but this promise falling through, he made some engravings of paintings by Francisque Millet.He then wanted to travel to England, but having written to his compatriot Lucas Vorsterman, he received word that there was more work to be had in Paris. Hoet travelled to Paris where he spent more than a year, before returning to the Netherlands via Brussels.In Brussels he met the painter Adriaen Frans Boudewyns, who convinced him to stay a while. After eight months, Hoet returned to Utrecht, where he worked for William Nassau de Zuylestein, 1st Earl of Rochford. He married and settled in Heemstede (Utrecht), where he found work for the lord of the castle there
(1648 - 1733), was a Dutch Golden Age painter. Gerard Hoet trained with his father and brother who were glass painters, and Warnard van Rijsen, who lived in Zaltbommel, and who himself was a pupil of Cornelis van Poelenburgh in Utrecht. In 1672 Hoet moved to The Hague, but when the Count of Salis bought paintings at his mother's house in Zaltbommel, he returned to paint for him. He accompanied him to Rees, Germany, where he met the Utrecht painters Jan van Bunnik, Justus Nieuwpoort and Andries de Wit.With De Wit he returned to Utrecht, where he worked for Frederick Nassau de Zuylestein briefly before visiting the Hague and Amsterdam. He then travelled to France on the promise of a Marquis who wanted to give him a commission, but this promise falling through, he made some engravings of paintings by Francisque Millet.He then wanted to travel to England, but having written to his compatriot Lucas Vorsterman, he received word that there was more work to be had in Paris. Hoet travelled to Paris where he spent more than a year, before returning to the Netherlands via Brussels.In Brussels he met the painter Adriaen Frans Boudewyns, who convinced him to stay a while. After eight months, Hoet returned to Utrecht, where he worked for William Nassau de Zuylestein, 1st Earl of Rochford. He married and settled in Heemstede (Utrecht), where he found work for the lord of the castle there (English)

Gerard Hoet Jan Commelin oil painting artist


Gerard Hoet Jan Commelin oil painting artist

Jan Commelin
Oljemålning Nr::  80473
new24/Gerard Hoet-974978.jpg
1680 (1670-1692) Medium Oil on canvas Dimensions 51.7 x 44.6 cm (20.4 x 17.6 in) cjr


Gerard Hoet Portret van de Leidse botanicus Jan Commelin oil painting artist


Gerard Hoet Portret van de Leidse botanicus Jan Commelin oil painting artist

Portret van de Leidse botanicus Jan Commelin
Oljemålning Nr::  81832
new24/Gerard Hoet-843536.jpg
Oil on canvas Dimensions 51.7 x 44.6 cm (20.4 x 17.6 in) cyf


  1
Föregående Konstnär      Nästa Konstnär    

| John Pynas | Charles Schreyvogel | Theodor Leopold Weller | ralph vaughan willams | Louise Jopling |