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German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778. (English)

baron grimm christophwillibald gluck oil painting artist


baron grimm christophwillibald gluck oil painting artist

christophwillibald gluck
Oljemålning Nr::  60251
new21/baron grimm-923968.jpg
mk270 christophwillibald gluck, painted by duplessis in 1775.when gluck was alternating between vienna and paris.


baron grimm for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow oil painting artist


baron grimm for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow oil painting artist

for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow
Oljemålning Nr::  60252
new21/baron grimm-527552.jpg
mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897


baron grimm Orfeo ed Euridice oil painting artist


baron grimm Orfeo ed Euridice oil painting artist

Orfeo ed Euridice
Oljemålning Nr::  60253
new21/baron grimm-458945.jpg
mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764.


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