Reproducciones de Oleo de Europa España people

Pintura al óleo, una gusto verdadero de los viejos maestros

Sueco
SEK(kr)

Español
EURO(€)

Inglés
USD($)

Francés
EURO(€)

Alemán
EURO(€)

Pinturas::. All people >> party

Prev 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 Luego

Artista: Peter Severin Kroyer

Peter Severin Kroyer vinhost i tyrol Spain oil painting reproduction

Pintura Identificación:: 64516
vinhost i tyrol
(new22/Peter Severin Kroyer-983996.jpg)
1901 privateje se

	Stretched Services
	Picture Frames

Artista: Peter Severin Kroyer

Peter Severin Kroyer hip, hip, hurra Spain oil painting reproduction

Pintura Identificación:: 64517
hip, hip, hurra
(new22/Peter Severin Kroyer-733833.jpg)
se

	Stretched Services
	Picture Frames

Artista: Peter Severin Kroyer

Peter Severin Kroyer frokostgildet, hip, hip, hurra, Spain oil painting reproduction

Pintura Identificación:: 64519
frokostgildet, hip, hip, hurra,
(new22/Peter Severin Kroyer-827799.jpg)
1888 goteborg konstmuseum se

	Stretched Services
	Picture Frames

Artista: Laurits Tuxen

Laurits Tuxen kunstnerens anden hustru med nina og yvonne i haven pa skagen Spain oil painting reproduction

Pintura Identificación:: 64544
kunstnerens anden hustru med nina og yvonne i haven pa skagen
(new22/Laurits Tuxen-936736.jpg)
1922 se

	Stretched Services
	Picture Frames

Artista: unknow artist

unknow artist Smokers in an Interior Spain oil painting reproduction

Pintura Identificación:: 64559
Smokers in an Interior
(new22/unknow artist-436585.jpg)
1643 Oil on canvas, 117 x 137 cm Mus?e du Louvre, Paris Not all the Le Nain genre scenes depict peasants. Some of them show middle-class sitters, even rarer in art than the depiction of the poor. It is one of these larger 'bourgeois compositions' which admits the Le Nain brothers into that small group of painters capable of creating a masterpiece. This is the Smokers in an Interior in the Louvre, dated 1643. Its technique must have been learned during the painting of the Forge, but the brushwork is far more precise. The composition is much less original, being closer to the type familiar from the Dutch. The figures are grouped round a table illuminated by a solitary candle, and the figure on the left has fallen asleep at the table. In this painting it seems that the depiction of low life - here middle-class men smoking in an interior - has risen beyond its normal pictorial limitations to create a masterpiece which is, perforce, unexpected. While Nicolas Poussin was obsessed with the concept of beauty and with the need to be able to paint exactly what he thought, here the painter's desire arises from an opposite need, the need to observe. Each of the models appears to be a portrait, although it is difficult to explain why the sitters should have chosen to be depicted with such casualness. There is no clue to the possibility of a confraternity, although the curious emblems on the carpet on the table could be symbols of some secret society. The eerie quality of the picture is emphasized by the fall of the shadows on the faces and by the way in which the figures stare into space just like the peasants in other pictures and the seated figure on the right has all the appearance of being under the influence of some drug. There is no satisfactory explanation for such a picture; it is as if this trio of painters, observers of a small fragment of their times, never intended the meanings of their pictures to be divined. Artist:LE NAIN brothers Title: Smokers in an Interior, 1601-1650, French , painting , genre

	Stretched Services
	Picture Frames

Artista: MASSYS, Quentin

MASSYS, Quentin St Anne Altarpiece Spain oil painting reproduction

Pintura Identificación:: 64560
St Anne Altarpiece
(new22/MASSYS, Quentin-359773.jpg)
1507-08 Oil on wood Mus?es Royaux des Beaux-Arts, Brussels The right wing shows St Anne on her death bed, covered with a red sheet, her face pale, her mouth half open, as if she had just breathed her last. Mary Salome, who has collapsed with grief, wipes the tears from her cheeks. Artist:MASSYS, Quentin Title: St Anne Altarpiece (right wing, detail), 1451-1500, Flemish , painting , religious

	Stretched Services
	Picture Frames

Artista: BEUCKELAER, Joachim

BEUCKELAER, Joachim Village Feast Spain oil painting reproduction

Pintura Identificación:: 64562
Village Feast
(new22/BEUCKELAER, Joachim-475539.jpg)
113 x 162 cm The Hermitage, St. Petersburg Artist:BEUCKELAER, Joachim Title: Village Feast, 1551-1600, Flemish , painting , genre

	Stretched Services
	Picture Frames

Artista: BEUCKELAER, Joachim

BEUCKELAER, Joachim The Vegetable Market Spain oil painting reproduction

Pintura Identificación:: 64563
The Vegetable Market
(new22/BEUCKELAER, Joachim-574723.jpg)
1567 Oil on panel 149 x 215 cm Koninklijk Museum voor Schone Kunsten, Antwerp Joachim Beuckelaer took the market and kitchen painting created by Pieter Aertsen, and developed them into an independent genre which remained popular until well into the 17th century. The didactic element of Beuckelaer's paintings did not manifest itself in propaganda on behalf of Catholic orthodoxy, but in the cheerful censure of the wickedness of worldly pleasure. His paintings are full of allusions to sensuality, sexuality and fertility, with vegetables, fruit, fish, meat and cooking utensils piled up around a few figures. In his best works, Beuckelaer mixes a strong sense of space and detail on the one hand, with unity of composition on the other. Artist:BEUCKELAER, Joachim Title: The Vegetable Market, 1551-1600, Flemish , painting , still-life

	Stretched Services
	Picture Frames

Artista: RUBENS, Pieter Pauwel

RUBENS, Pieter Pauwel Triumphal Entry of Henry IV into Paris Spain oil painting reproduction

Pintura Identificación:: 64581
Triumphal Entry of Henry IV into Paris
(new22/RUBENS, Pieter Pauwel-268633.jpg)
1627-30 Oil on canvas, 380 x 692 cm Galleria degli Uffizi, Florence This canvas belongs to the unfinished cycle dedicated to Henry IV and shows the king, converted and victorious, entering Paris on 22 March 1594 at the end of a long period of internal struggles. Renouncing any reference to time or place, Rubens illustrates the episode in a complex allegorical context, creating an analogy with the triumph of a Roman emperor. In particular, the group of the crowned king and the architecture of the triumphal arch (derived from the Roman prototype of the arch of Titus), surmounted by soldiers and horses, arise from en evident reinterpretation of Mantegna's painting of Caesar's Chariot. *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Triumphal Entry of Henry IV into Paris, 1601-1650, Flemish , painting , historical

	Stretched Services
	Picture Frames

Artista: Michael Ancher

Michael Ancher vil han klare pynten Spain oil painting reproduction

Pintura Identificación:: 64586
vil han klare pynten
(new22/Michael Ancher-635272.jpg)
1879. privateje

	Stretched Services
	Picture Frames

Artista: Michael Ancher

Michael Ancher en laegpraedikant holder gudstjeneste pa skagen sonderstrand Spain oil painting reproduction

Pintura Identificación:: 64587
en laegpraedikant holder gudstjeneste pa skagen sonderstrand
(new22/Michael Ancher-826269.jpg)
1877 se

	Stretched Services
	Picture Frames

Artista: Michael Ancher

Michael Ancher fiskere i faerd med at saette en rorsbad i vandet Spain oil painting reproduction

Pintura Identificación:: 64594
fiskere i faerd med at saette en rorsbad i vandet
(new22/Michael Ancher-777429.jpg)
1881 se

	Stretched Services
	Picture Frames

Prev 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 Luego

Pinturas::. All people >> party