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Artista: unknow artist

unknow artist vaktavlosning vad buckingham palave Spain oil painting reproduction

Pintura Identificación:: 61524
vaktavlosning vad buckingham palave
(new21/unknow artist-359567.jpg)
mk275 traditionen fortsatter

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Artista: Johann Zoffany

Johann Zoffany Self portrait as David with the head of Goliath, Spain oil painting reproduction

Pintura Identificación:: 61644
Self portrait as David with the head of Goliath,
(new21/Johann Zoffany-478257.jpg)
Self-portrait as David with the head of Goliath, 1756

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Artista: Joaquin Sorolla

Joaquin Sorolla An experimental study Spain oil painting reproduction

Pintura Identificación:: 61689
An experimental study
(new21/Joaquin Sorolla-655398.jpg)
mk275 1897 Oil on canvas years

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Artista: CERQUOZZI, Michelangelo

CERQUOZZI, Michelangelo Adam was born Spain oil painting reproduction

Pintura Identificación:: 62058
Adam was born
(new21/CERQUOZZI, Michelangelo-643876.jpg)
mk276 1511 years 280 x 570cm frescos Sistine Chapel Vatican

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Artista: William Hogarth

William Hogarth Group painting fashionable marriage of the dead countess Spain oil painting reproduction

Pintura Identificación:: 62167
Group painting fashionable marriage of the dead countess
(new21/William Hogarth-647343.jpg)
mk279 Oil on canvas 70 x 90.8cm 1745 years

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Artista: William Hogarth

William Hogarth Charles III Spain oil painting reproduction

Pintura Identificación:: 62174
Charles III
(new21/William Hogarth-644744.jpg)
mk279 Oil on canvas 190.5 x 250.8cm 1745 years

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Artista: Giovanni Battista Tiepolo

Giovanni Battista Tiepolo St James the great Spain oil painting reproduction

Pintura Identificación:: 62188
St James the great
(new21/Giovanni Battista Tiepolo-532822.jpg)
mk280 Oil on canvas 317 x 163cm

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Artista: Sandro Botticelli

Sandro Botticelli St. Augustine Spain oil painting reproduction

Pintura Identificación:: 62217
St. Augustine
(new21/Sandro Botticelli-296987.jpg)
mk281 1480

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Artista: Harold Gilman

Harold Gilman The Entombment Spain oil painting reproduction

Pintura Identificación:: 62299
The Entombment
(new21/Harold Gilman-726889.jpg)
1670-73 Painted and gilt wood Hospital de la Caridad, Seville The Brotherhood of Charity, the Caridad, as it is known, was one of Seville's major lay confraternities. It was founded in 1565 with the mission of providing a decent burial for paupers. From 1663 the charitable activities were expanded to provide care for the needy sick, and a hospital was built, simultaneously enlarging and renovating the already existing chapel. The scheme for the decoration of the chapel is a tripartite exposition of Christian charity as the way of salvation. The first part comprises two memorable paintings by Vald?s Leal, demonstrating the futility of earthly pursuits and honours. A life devoted to accumulating wealth, power, and even learning is shown to lead only to the grave. Charity, which constitutes the second part of the program, provides the way to salvation, as seen in the seven acts of mercy, six of which are depicted by Murillo; the seventh, burying the dead, the Caridad's foundation charity, is embodied in a sculptural group, the Entombment of Christ by Pedro Rold?n, placed in the altarpiece. The third component consists of two paintings by Murillo for lateral altars, depicting St Elizabeth of Hungary and St John of God, both illustrating the efficacy of good works and the necessity of personal participation in charitable deeds. The picture shows a detail of Rold?n's Entombment group. In seventeenth-century Spain the economic crisis had the effect of intensifying religion and bringing it closer to the people. Spanish sculpture of this period, nearly always in brightly coloured wood, treated the various figures of the Passion singly, in isolation, with the devoutness of a miracle play, thus bringing about an unexpected return to the cultural atmosphere of the Middle Ages. Rold?n's sculptural group is an example of this style

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Artista: Diego Velazquez

Diego Velazquez Prince Baltasar Carlos with the Count Spain oil painting reproduction

Pintura Identificación:: 62310
Prince Baltasar Carlos with the Count
(new21/Diego Velazquez-585229.jpg)
Duke of Olivares at the Royal Mews (detail) c. 1636 Oil on canvas Collection of the Duke of Westminster, London The Count-Duke of Olivares stands in the middle ground to the right of the picture, with his master-at-arms; figures on the balcony above him include Philip IV, Queen Isabel and several courtiers who cannot be identified for certain

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Artista: GRECO, El

GRECO, El St John the Evangelist Spain oil painting reproduction

Pintura Identificación:: 62330
St John the Evangelist
(new21/GRECO, El-586896.jpg)
90 x 77 cm Museo del Prado, Madrid There is an analogous version in the Cathedral of Toledo which is part of a series of the twelve Apostles, called Apostolados. It is assumed by some scholars that this painting also belonged to a similar series. Author: GRECO, El Title: St John the Evangelist , 1551-1600 , Spanish Form: painting , religious

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Artista: GRECO, El

GRECO, El St Ildefonso Spain oil painting reproduction

Pintura Identificación:: 62340
St Ildefonso
(new21/GRECO, El-255548.jpg)
112 x 65 cm National Gallery of Art, Washington This is a smaller replica of the picture in the Hospital de la Caridad in Illescas. It belonged once to the painter Jean Francois Millet, and later to Edgar Degas. The original painting is in the side altar on the left of the main chapel of the church, balancing the Virgin of Charity. Its original place in the church is not known. The painting is not mentioned in the incomplete documentation for the decoration of the chapel, and if, as is probable, it was not painted at the same time, it cannot date much before June 1603, the date of the contract, and was more likely painted soon after the conclusion of litigation in August 1607. In its present position, it makes a grand pair to the Virgin of Charity, and is one of the most splendid of his 'portraits' of Saints. It is difficult, and perhaps not proper, to separate his portraits of Saints from his actual portraits. In both he employs all his means of spiritual or psychological expression. The legend is that Saint Ildefonso, the first Bishop of Toledo, presented an image of the Virgin of the Mantle to a foundation of his in Illescas. The Saint is portrayed before the same image, as he wrote his dissertation on the Purity of the Virgin. The state of inspiration is brilliantly expressed. There is an infinite distinction in expression between the hand poised with the pen in this 'portrait' and the similar motif in the portrait of his son. Author: GRECO, El Title: St Ildefonso , 1551-1600 , Spanish Form: painting , religious

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