BARTOLOMEO VENETO Reproduccións de óleo de Europa España

Pintura al óleo, una gusto verdadero de los viejos maestros

Sueco
SEK(kr)

Español
EURO(€)

Inglés
USD($)

Francés
EURO(€)

Alemán
EURO(€)

Prev 1 2 3 4 5 Luego

Artista Previo Próximo Artista

BARTOLOMEO VENETO

Italian Painter, ca.1470-1531

Pintura Identificación:: 58337
san giovanni battita
new20/BARTOLOMEO VENETO-435845.jpg
mk261 years 1510 -1520 Venice oil painting on canvas 65.5 x 40 cm Florence.

	Stretched Services
	Picture Frames

BARTOLOMEO VENETO Woman Playing a Lute oil painting artist

Pintura Identificación:: 63540
Woman Playing a Lute
new21/BARTOLOMEO VENETO-392638.jpg
1520 Oil on panel, 65 x 50 cm Pinacoteca di Brera, Milan The date appears on the paper below the lute: 1520. A replica, perhaps by the artist himself, is in the Gardner Museum, Boston. The woman is represented in the guise of St Cecilia, a typical example of sixteenth-century "court art." In fact the artist worked for three years at Ferrara for Lucrezia Borgia. Bartolomeo's formation derives from Cima da Conegliano and the later work of Bellini, with influences from Leonardo, Costa and northern European art. His signature on a painting that was formerly in the Dona delle Rose collection in Venice shows how aware he was of his mixed development: "Bartolamio half Venetian and half Cremonese." He liked to paint half-figures of women, and chose subjects with strong personalities.Artist:BARTOLOMEO VENETO Title: Woman Playing a Lute Painted in 1501-1550 , Italian - - painting : genre

	Stretched Services
	Picture Frames

BARTOLOMEO VENETO Portrait of a Gentleman oil painting artist

Pintura Identificación:: 63841
Portrait of a Gentleman
new21/BARTOLOMEO VENETO-842672.jpg
1512 Oil on panel, 73 x 58 cm Galleria Nazionale d'Arte Antica, Rome Earlier this picture was described as a work of Leonardo. Later, the panel was attributed to Holbein. Finally, of exceptionally high quality, the painting was given to Bartolomeo Veneto by comparing it to two other portraits by the same painter, now at Houston and Washington. The proposed dating is the second decade of the sixteenth century (perhaps 1512), in the wake of Bartolomeo's sojourn in Ferrara between 1506 and 1508. Bartolomeo Veneto (Bartolommeo Veneziano) attracted attention at the end of the 19th century. He was a pupil of Gentile Bellini, he worked at the Court of the Grand Duke of Ferrara and elsewhere. There he came under the influence of LOmbard artists. The artist enriched his original Venetian pictorial language with direct exposure to the influence of Albrecht D?rer, who had been active in Venice in the first years of the sixteenth century. The figures of the knight and the soldier, visible in the background, are literally copied from a 1496 woodcut by D?rer. The identity of the sitter, however, remains a mystery. We do know, however, that he must have been a gentleman attached to the Mantuan court of the Gonzagas. Recently, it was suggested that Bartolomeo Veneto may have been the talented portraitist working in Raphael's workshop who was responsible for the faces of the chair-bearers in the Vatican Palace's Mass of Bolsena. Several inscriptions are legible in the painting: on the medal of the sitter's beret is written "Probasti e Chognovisti"; on the placard above the animal on the medal are the Greek letters epsilon and tau; and along the edge of the plaquette that decorates the sword handle, "IN(?) B:VF" and "NO SPI(E)".Artist:BARTOLOMEO VENETO Title: Portrait of a Gentleman Painted in 1501-1550 , Italian - - painting : portrait

	Stretched Services
	Picture Frames

BARTOLOMEO VENETO John the Baptist oil painting artist

Pintura Identificación:: 73294
John the Baptist
new24/BARTOLOMEO VENETO-749663.jpg
John the Baptist cjr

	Stretched Services
	Picture Frames

Pintura Identificación:: 75024
John the Baptist
new24/BARTOLOMEO VENETO-733775.jpg
John the Baptist Date 16th century cyf

	Stretched Services
	Picture Frames

Prev 1 2 3 4 5 Luego

Artista Previo Próximo Artista