Oil On Canvas, Real Flavor of Old Masters

Swedish

SEK(kr)

Spanish

EURO(€)

English

USD($)

French

EURO(€)

German

EURO(€)

    Prev  1  2  3  4   Next
Prev artist      Next artist    


   
March 13, 1825 ?C August 17, 1903,Norwegian painter. He was the most renowned Norwegian landscape painter of his time. At the age of 12 he was enrolled as a pupil of Johannes Flintoe (1787-1880). After attending evening classes at the Kongelige Tegneskole in Christiania, he went to D?sseldorf in 1841 to study privately with the landscape painter Andreas Achenbach (1815-1910). In 1842 Gude was admitted to the landscape class at the Akademie under Johann Wilhelm Schirmer. He was later appointed an assistant teacher at Schirmer private studio, and he succeeded his master as Professor of landscape painting both at the D?sseldorf Akademie (1854-62) and at the Karlsruhe Akademie (1864-80). In the 1840s Gude established his reputation in Norway and on the Continent with powerful images of the Norwegian mountains. These were shown in the Kunstforening galleries in D?sseldorf and Christiania and at the Berliner Akademische Kunstausstellung, where Gude exhibited throughout his life. Adolph Tidemand and Gude dominated the colony of Norwegian artists who studied in D?sseldorf in the mid-19th century. The two artists worked together on five paintings, all representing people in boats; Gude painted the landscape, Tidemand the figures. The Bridal Procession at Hardanger (1848; Oslo, N.G.) celebrates a ceremony of country life and is the most famous work of Norwegian National Romanticism. In a sunny western Norwegian landscape with snow on the high mountains, the bridal couple and wedding guests in national costume are shown rowing across the water from a medieval stave church on the headland in the background. Gude revealed greater maturity in High Mountain (1857; Oslo, N.G.). The disposition of mountains massed on the high plateau around a little lake produces an effect of monumentality. The predominant colours shade from grey to blue, concentrated in the cloud cover. The influence of Schirmer tranquil landscapes is apparent, while the rhythmic arrangement of light and shadow is reminiscent of Achenbach.

Hans Gude Hoyfjellslandskap Med Opptrekkende Uvar oil painting artist


Hans Gude Hoyfjellslandskap Med Opptrekkende Uvar oil painting artist

Hoyfjellslandskap Med Opptrekkende Uvar
Painting ID::  85009
new25/Hans Gude-568485.jpg
 
1848(1848) Medium Oil on canvas Dimensions 180 x 114 cm (70.9 x 44.9 in) cyf


Hans Gude Winter Afternoon oil painting artist


Hans Gude Winter Afternoon oil painting artist

Winter Afternoon
Painting ID::  85220
new25/Hans Gude-337757.jpg
 
1847(1847) Medium Oil on canvas Dimensions 50.5 x 36 cm (19.9 x 14.2 in) cyf


Hans Gude Landskap med buskap og foss oil painting artist


Hans Gude Landskap med buskap og foss oil painting artist

Landskap med buskap og foss
Painting ID::  85385
new25/Hans Gude-467843.jpg
 
Date 1852(1852) Medium Oil on canvas Dimensions 88 x 99 cm (34.6 x 39 in) cjr


Hans Gude Hjemvendende hvalfangerskip i en norsk havn oil painting artist


Hans Gude Hjemvendende hvalfangerskip i en norsk havn oil painting artist

Hjemvendende hvalfangerskip i en norsk havn
Painting ID::  85387
new25/Hans Gude-356636.jpg
 
Date 1869(1869) Medium Oil on canvas Dimensions 180 x 130 cm (70.9 x 51.2 in) cjr


Hans Gude Costal landscape with boat oil painting artist


Hans Gude Costal landscape with boat oil painting artist

Costal landscape with boat
Painting ID::  85752
new25/Hans Gude-859785.jpg
 
Medium Oil on canvas cyf


    Prev  1  2  3  4   Next
Prev artist      Next artist    

HOME

| Harry Roseland | Gerrit van Honthorst | MANDER, Karel van | Theodor Hosemann | FABRITIUS, Carel |