Oil On Canvas, Real Flavor of Old Masters

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1852-1931 French painter, printmaker and illustrator. Around 1860 he moved with his family to Paris, where he was taught by Jacquesson de la Chevreuse (1839-1903), Jean Baptiste Carpeaux and Andre Gill. He participated in the Franco-Prussian War (1870-71) and was a friend of the poets Paul Verlaine and Arthur Rimbaud; the latter is the presumed subject of a portrait (1874; priv. col., see 1982 exh. cat., no. 1) that may have influenced Manet late portrait of Mallarme (1876; Paris, Louvre). Forain first met Manet through his friendship with Degas in the early 1870s at the salon of Nina de Callias. He continued to associate with Manet, meeting the group of young Impressionists at the Cafe Guerbois and the Cafe de la Nouvelle Athenes. In 1878 Forain painted a small gouache, Cafe Scene (New York, Brooklyn Mus.), which probably influenced Manet Bar at the Folies-Bergere (1881-2; London, Courtauld Inst. Gals).

Jean-Louis Forain The Fisherman oil painting artist


Jean-Louis Forain The Fisherman oil painting artist

The Fisherman
Painting ID::  1237
Jean-Louis Forain1.jpg
 
1884


Jean-Louis Forain Music Hall oil painting artist


Jean-Louis Forain Music Hall oil painting artist

Music Hall
Painting ID::  1238
Jean-Louis Forain2.jpg
 
1890


Jean-Louis Forain The Tightrope Walker oil painting artist


Jean-Louis Forain The Tightrope Walker oil painting artist

The Tightrope Walker
Painting ID::  1239
Jean-Louis Forain3.jpg
 
1880


Jean-Louis Forain The Grief of the Pasha oil painting artist


Jean-Louis Forain The Grief of the Pasha oil painting artist

The Grief of the Pasha
Painting ID::  1435
Jean-Louis Forain4.jpg
 
1882 Catalogue #300 92.7 x 73.6 cm (36.5 x 29 inches) Joslyn Art Museum, Omaha, Nebraska


Jean-Louis Forain Dancer Standing behind a Stage Prop oil painting artist


Jean-Louis Forain Dancer Standing behind a Stage Prop oil painting artist

Dancer Standing behind a Stage Prop
Painting ID::  11491
Jean-Louis Forain5.jpg
 
1' 6'' x 2'(46 x 61 cm)Bequest of Etienne Moreau-Nelaton,1927


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