peop02151 Oljemålningar och Ramar,Bild inrätta,spegel people

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Oljemålning Nr:: 63052
FETI, Domenico
David with the Head of Goliath
1620 Oil on canvas, 153 x 125,1 cm Royal Collection, Windsor Feti was a peripatetic artist. Having been trained in Rome by the Florentine painter, Lodovico Cigoli, he worked at the court of Mantua from around 1613 and towards the end of his life spent some time in Venice. His principal patron was Duke Ferdinando Gonzaga at Mantua and it was with the purchase of the Gonzaga collection in 1625-27 that Charles I acquired a number of works by Feti. The artist was influenced by Venetian painters, as well as by Elsheimer and Rubens. His portraits and a series of small-scale pictures illustrating parables, probably commissioned by Ferdinando Gonzaga, are perhaps his best works. The artists technique is distinctive, with rapid brushstrokes of pure colour applied as highlights over broader areas of paint on canvases primed with dark tones. Similarly, the poses of his figures and the choice of viewpoints are often unusual. David with the Head of Goliath almost certainly formed part of the Gonzaga collection. A version of some quality is in Dresden (Staatliche Kunstsammlungen) and others are recorded. A date around 1620 has been suggested, that is, before the artist moved to Venice in 1622. The pose is somewhat reminiscent of the Ignudi by Michelangelo on the ceiling of the Sistine Chapel in Rome, and it is possible that the painting was meant to be hung as an overdoor. The present work depicts the story of David and Goliath as recounted in the first Book of Samuel, 17:48-51. The shepherd boy, David, defeats Goliath, the champion of the Philistines, in single combat using a sling with a stone. Afterwards David cuts off Goliath's head using the giants own sword. The body of Goliath is visible on the left in the middle distance. Feti cleverly contrasts the large scale of the decapitated head and sword with David's smaller body. Artist: FETI, Domenico Painting Title: David with the Head of Goliath , 1601-1650 Painting Style: Italian , , religious

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Oljemålning Nr:: 63530
Agnolo Bronzino
St John the Baptist
1550-55 Oil on wood, 120 x 92 cm Galleria Borghese, Rome Appearing to be full-size, this painting demonstrates the skill of the Mannerist painter in fitting a brilliant body-study into a small pictorial space. Artistically, all interest is on the nude, with the nakedness concealed more by the way the figure holds his body than the way he plays with the drapery and the hide mantle. The only symbol in the picture is the Jacob's staff, in the dark. This is cleverly foreshortened, and thus not the real message of the painting.Artist:BRONZINO, Agnolo Title: St John the Baptist Painted in 1501-1550 , Italian - - painting : religious

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Oljemålning Nr:: 63843
BAROCCI, Federico Fiori
St Jerome
1598 Oil on canvas Galleria Borghese, Rome In this painting, recent restoration has revealed a lion, sleeping like a large cat in the background; it had been hidden under thick layers of paint that had darkened with age.Artist:BAROCCI, Federico Fiori Title: St Jerome Painted in 1551-1600 , Italian - - painting : religious

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Oljemålning Nr:: 63877
HALS, Frans
The Meagre Company
1633-37 Oil on canvas, 207,3 x 427,5 cm (whole painting) Rijksmuseum, Amsterdam The exact title of the painting, the rightt side of it being illustrated here, is Officers of the Company of the Amsterdam Crossbow Civic Guard under Captain Reynier Reael and Lieutenant Cornelis Michielsz Blaeuw. It was commissioned from Frans Hals in 1633, but in 1636, when he had not yet finished it, was given to Pieter Codde for completition. It is dated at the right edge near the centre: A?1637.Artist:HALS, Frans Title: The Meagre Company (detail) Painted in 1601-1650 , Dutch - - painting : portrait

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Oljemålning Nr:: 64034
El Greco
assumption of the virgin,detail
painted1577 the art instute of chicago

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Oljemålning Nr:: 64053
El Greco
st. martin and the beggar
painted 1597-99,mayer 75x38 national gallery of art, washington, dc, widener collection

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Oljemålning Nr:: 64054
El Greco
st. louis, king of france
painted 1586-94 46x37 the louvre, paris

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Oljemålning Nr:: 64057
El Greco
christ bearing the cross
painted 1594-1604,cossio, 1587-92 42x34 the prado museum, madrid

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Oljemålning Nr:: 64125
Ernst Josephson
Rokande neger
1884

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Oljemålning Nr:: 64196
RUBENS, Pieter Pauwel
Descent from the Cross
1612-14 Oil on panel, 421 x 153 cm O.-L. Vrouwekathedraal, Antwerp The outsides of the wings are devoted to St Christopher. According to his medieval legend, the huge St Christopher carried the Christ Child across a river on his shoulders. A hermit on the right lights his way with a lantern. , Artist: RUBENS, Pieter Pauwel , Descent from the Cross (outside left) , 1601-1650 , Flemish , painting , religious

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Oljemålning Nr:: 64200
Master of the Saint Lucy Legend
St Sebastian
1480-90 Oil on oak panel, 70 x 26,7 cm Gallery Robert Pintelon, Aalst St Sebastian is standing frontally with his hands over his head tied to a tree in a tree-filled landscape with abundant vegetation in the foreground. The towers of a castle loom up in the background. Apart from his loincloth he is naked. Both sides of his body are pierced with arrows. The handling of light is full of contrast, with ample use of white lead on the rosy skin standing out against the very dark green of the surroundings. Various characteristics in the manner of painting and the style, as well as the conception, enable us to ascribe this hitherto unknown panel to the Master of the Legend of St Lucy. The stiff, marionette-like figures with heavily drawn features; the hard, richly contrasted palette; and the systematic use in his landscapes of stereotypical vegetation and towers or city views in the distance are typical of nearly all his compositions. In this St Sebastian all these elements are clearly visible. The physiognomy with the heavy nose and the rather oriental eyes with large, vaulted upper eyelids and bushy eyebrows is to be seen in several of his works, for example, the Lamentation in Minneapolis and in the Tallinn altarpiece. The flat folds of the loincloth can be compared with the Virgin's head-scarf in the Lamentation of the Thyssen Foundation, where Christ's torso has been modelled in much the same way. The manner in which the vegetation is treated is almost identical in the St John on Patmos of Rotterdam and in the Legend of St Lucy in St James' Church in Bruges. Owing to its small format, it can be suspected that the St Sebastian was the wing of a triptych. The painting on the reverse was probably planed away when the cradle was applied. , Artist: MASTER of the Saint Lucy Legend , St Sebastian , 1451-1500 , Flemish , painting , religious

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Oljemålning Nr:: 64263
peter breughel the elder
the proverb of ther bird-nester
1568 vienna kunsthistorisches museum.

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OljeMålningar::. Alla Figur >> Man

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