Guizot or the Bore Honore Daumier Oljemålningar,Ramar,spegel 62537

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Guizot or the Bore
1832-33 Painted clay, height 22 cm Mus?e d'Orsay, Paris The busts of the Parliamentarians was commissioned in 1832 by Charles Philipon, the director of La Caricature, and executed during actual sittings of the Chambre des D?put?s. These busts mark a total break with the tradition of the neoclassical portrait.Helped by acute powers of observation and a remarkably expressive talent as a draughtsman and modeller, Daumier tried to reveal the deep truth of his models through an uncompromising image enhanced by exaggeration and polychromy.. Author: DAUMIER, Honor? Title: Guizot or the Bore Form: sculpture , 1801-1850 , French , other

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Honore Daumier:
1808-1879 French Honore Daumier Locations In some 40 years of political and social commentary Honore Daumier created an enormously rich and varied record of Parisian middle-class life in the form of nearly 4,000 lithographs, about 1,000 wood engravings, and several hundred drawings and paintings. In them the comic spirit of Moli??re comes to life once again. After having been the scourge of Louis Philippe and the July Monarchy (1830-1848), Daumier continued as a satirist of Louis Napoleon and the Second Empire (1851-1870). Poor himself, the artist sympathized with the struggling bourgeois and proletarian citizens of Paris. As a man of the left, he battled for the establishment of a republic, which finally came in 1870. Liberals have always applauded Daumier; some conservatives, however, have been inclined to consider him woolly-minded. Honore Daumier, born on Feb. 26, 1808, in Marseilles, was the son of a glazier. When Honore was 6, the family moved to Paris, where the elder Daumier hoped to win success as a poet. Honore grew up in a home in which humanistic concerns had some importance. A born draftsman and designer who was largely self-taught, he received some formal instruction from Alexandre Lenoir, one of Jacques Louis David students. An obscure artist named Ramelet taught Daumier the elements of the new, inexpensive, and popular technique of lithography. Daumier style is so much his own that it is not easy to disentangle influences from other artists. Rembrandt and Francisco Goya are usually mentioned, along with Peter Paul Rubens, the Venetian school, and photography.

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