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Gemälde:: still life

Vorherige Seite 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 Nächste Seite

Künstler: Sebastian Stoskopff

Sebastian Stoskopff Still-Life of Glasses in a Basket oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63702
Still-Life of Glasses in a Basket
1644 Oil on canvas, 51 x 62 cm Mus?e de l'Oeuvre de Notre Dame, Strasbourg The most neglected area of French 17th-century painting is that of still-life. It is still sometimes mistakenly assumed that the work of still-life painters was insignificant in their time compared with the grand designs of Claude and Poussin but, with one major exception, all the main still-life painters worked in Paris; they were not provincial artists working in obscurity away from the mainstream of the development of painting. The exception was the obscure S?bastian Stoskopff, whose oeuvre has only recently been reconstructed. He was isolated in Strasbourg, the main town of the province of Alsace, which did not come under French rule until 1648 (although Strasbourg itself was not occupied until 1681). In the Middle Ages the artistic traditions of Alsace had their own flavour, being subjected to influences from central Europe, Italy, and, to a lesser extent, France. Stoskopff, however, was influenced by none of these traditions, being a totally isolated painter working in a style verging on the naive. Influences from such German still-life painters as Georg Flegel are discernible, but they merely be caused by the similarity of subject-matter rather than by any stylistic affinity. Stoskopff art's is unique. One of the best examples of his work is the Still-Life of Glasses in a Basket. The tonality is monochrome, and the glasses in the basket are positioned in disarray. To this day, waitresses in restaurants in the region collect the empty drinking glasses by placing them heaped up in a basket rather than balancing them on a tray. There is therefore no complex iconography behind such a depiction; it is just a careful record of an everyday sight.Artist:STOSKOPFF, S?bastien Title: Still-Life of Glasses in a Basket Painted in 1601-1650 , French - - painting : still-life

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Künstler: HOLBEIN, Hans the Younger

HOLBEIN, Hans the Younger Portrait of the Merchant Georg Gisze oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63716
Portrait of the Merchant Georg Gisze
1532 Oil on wood Staatliche Museen, Berlin On the rear wooden wall Holbein paints cartellino, supposedly attached to the wall with sealing wax, with a Latin couplet written on it saying: "Couplet on the portrait of Georg Gisze. What you see here is Georg's portrait showing his features; this is how lively his eye is, this is how his cheeks are shaped. In his 34th year, anno Domini 1532."Artist:HOLBEIN, Hans the Younger Title: Portrait of the Merchant Georg Gisze (detail) Painted in 1501-1550 , German - - painting : portrait

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Künstler: Grunewald, Matthias

Grunewald, Matthias Stuppach Madonna oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63724
Stuppach Madonna
1517-19 Oil on canvas mounted on wood Parish Church, Stuppach The detail shows the flowers in a bottle at the lower right corner of the painting.Artist:GR?NEWALD, Matthias Title: Stuppach Madonna (detail) Painted in 1501-1550 , German - - painting : religious

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Künstler: Albrecht Durer

Albrecht Durer Alliance Coat of Arms oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63725
Alliance Coat of Arms
1490 Oil on panel, 47 x 39 cm Galleria degli Uffizi, Florence The picture shows the rear view of the Portrait of Albrecht D?rer the Elder. The painted variant on the alliance coat of arms of the D?rer and Holper families, a so-called speaking coat of arms, is also depicted in a woodcut dating from 1523. It forms the back side of D?rer's first portrait of his father in 1490. The family's coat of arms depicts an open barn door on the left, which was presumably a symbol of the family name. The name means the same as "T?rer," the German translation of "Ajto" (door), their place of origin Ajtos near Gyula, the capital of the B?k?s district.Artist:D?RER, Albrecht Title: Alliance Coat of Arms of the D?rer and Holper Families Painted in 1501-1550 , German - - painting : other

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Künstler: unknow artist

unknow artist Procession of Canons oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63758
Procession of Canons
1250 Stone Cathedral, Amiens The statues are on the South Porch of the Amiens Cathedral. At the beginning of the 13th century there is a relaxation in style of the architectural sculptures. The faces fill out and the features become much more natural and human. In addition, the statues appear rather more as works of art in their own right and less as architectural adjuncts.Artist:GOTHIC SCULPTOR, French Title: Procession of Canons Painted in 1201-1250 , French - - sculpture : religious

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Künstler: unknow artist

unknow artist Choir screen with the Crucifixion oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63760
Choir screen with the Crucifixion
1245 Stone Cathedral, Naumburg Inside a Gothic cathedral, the nave was usually separated from the choir by a large stone choir screen, called a 'pulpitum' or 'jub?, which excluded the lay public from the liturgy performed behind it. The screens at Chartres and Amiens were later removed, but at Naumburg a superbly carved example from the middle of the thirteenth century has remained intact. Scenes from the Passion of Christ are carved in relief across the upper level; but it is the life-size figures over the projecting gabled porch that serves as the entrance to the choir that are most striking. Traditionally the three figures of the Crucifixion - Christ flanked by the mourning Mary and St John - were placed atop the screen, but here they are brought down to the level of the worshippers. The anguished Virgin turns to the beholder as if to say "Look!'", while on the other side St John provides another point of emotional entry into the scene, drawing viewers closer to Christ. The statue of Christ stands at the threshold between the priest's and the lay person's space, allowing the clergy almost literally to pass throiugh his body as they enter the sanctuary. Inside, the walls are decorated with large figures, after the manner of the Ste Chapelle in Paris. The figures are secular benefactors of the cathedral.Artist:GOTHIC SCULPTOR, German Title: Choir screen with the Crucifixion Painted in 1201-1250 , German - - sculpture : religious

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Künstler: unknow artist

unknow artist A Table Laden with Flowers and Fruit oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63768
A Table Laden with Flowers and Fruit
1600-10 Oil on canvas, 74 x 100 cm Wadsworth Atheneum, Hartford In a partially lit environment, a table is seen from slightly above. Placed on the table are two vases of flowers and a basket of fruit arranged in a triangle and surrounded by single pieces of fruit scattered at random. Two flies can be seen on the brightly lit wall at the upper left, and, in the foreground, some fruit and two bunches of grapes hang over the edge of the table creating a trompe-l'oeil effect. The painting aims for the same heightened sense of reality seen in Caravaggio's Boy with a Basket of Fruit. This Table (a more appropriate title than the conventional Still-life with Flowers and Fruit) shares a number of affinities with the depictions of tables laid for eating painted in Holland throughout the seventeenth century. It may be no coincidence that the first dated painting of this type from 1610 was the work of Floris van Dijck. In 1600-01 Van Dijck lived near the studio of Cavaliere d'Arpino, where pictures like the Hartford still-life were probably executed. It was Van Dijck who supplied the information about Cavaliere d'Arpino for Karel van Mander's biography. The Hartford Table has elicited attributions of enormous diversity. The names of Giovanni Battista Crescenzi, Caravaggio, Francesco Zucchi, Prospero Orsi and finally, for no very convincing reason, the Flemish painter Frans Snyders have all been suggested. Although the attribution to Caravaggio does not seem tenable, the Hartford Table is the work of a painter who, like Caravaggio, may have been active in the studio of Cavaliere d'Arpino. It is possible that the picture can be identified with an unattributed still-life listed in the 1607 inventory of Cavaliere d'Arpino's sequestered possessions. In the first decade of the seventeenth century, this anonymous painter was evidently completely familiar with the work of Caravaggio, but chose to present his own, different interpretation of it. It has also been suggested that this Italian artist, who was influenced by Caravaggism, also possessed some familiarity with the work of the first generation of Flemish still-life painters.Artist:MASTER of the Hartford Still-life Title: A Table Laden with Flowers and Fruit Painted in 1601-1650 , Italian - - painting : still-life

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Künstler: RAFFAELLO Sanzio

RAFFAELLO Sanzio The Expulsion of Heliodorus from the Temple oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63793
The Expulsion of Heliodorus from the Temple
1511-12 Fresco, width of detail: 230 cm Stanza di Eliodoro, Palazzi Pontifici, Vatican In the centre, the expanse of the wide nave, illuminated by the reflections of light in the vault, is a more effective space-determining motif than the large patches of blue sky which appeared through the coffered ceiling in the School of Athens.Artist:RAFFAELLO Sanzio Title: The Expulsion of Heliodorus from the Temple (detail) Painted in 1501-1550 , Italian - - painting : religious

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Künstler: PUGET, Pierre

PUGET, Pierre The Stoning of St Peter oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63832
The Stoning of St Peter
1654 Terracotta, 38 x 51 cm Mus?e des Beaux-Arts, Marseille The fragment (the upper part of the relief is missing) was probably a study to a panel of an unidentified altarpiece. The iconography of the relief is related to the painted versions of the subject executed by the Genoese painters of the 17th century, notably Giovanni Andrea Ferrari and Gioacchino Assereto.Artist:PUGET, Pierre Title: The Stoning of St Peter Painted in 1651-1700 , French - - painting : religious

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Künstler: PANNINI, Giovanni Paolo

PANNINI, Giovanni Paolo Interior of the San Giovanni in Laterano in Rome oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63837
Interior of the San Giovanni in Laterano in Rome
Oil on canvas, 74 x 100 cm Pushkin Museum, MoscowArtist:PANNINI, Giovanni Paolo Title: Interior of the San Giovanni in Laterano in Rome Painted in 1701-1750 , Italian - - painting : interior

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Künstler: Master of the Legend

Master of the Legend Legend of St Ursula oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63862
Legend of St Ursula
1475-82 Oil on oak panel, 47,5 x 30 cm (each scene), 59 x 18,5 cm (Annunciation) Groeninge Museum, Bruges When closed the panels show grisailles with the four evangelists, John (chalice and eagle), Matthew (pen and angel), Luke (paintbrush, portrait of the Virgin, ox), Mark (pen, book and lion) and the four Doctors of the Church: Jerome (as cardinal, with book and lion), Gregory (cope, tiara, book), Augustine (cope, mitre, stag), Ambrose (cope, mitre, book). When closed the panels of Synagogue and Church show the Annunciation in grisaille. An Annunciation similar even in the details was made by the same painter on the exterior of a triptych with Virgin Enthroned (Dresden).Artist:MASTER of the Legend of St. Ursula Title: Legend of St Ursula (closed) Painted in 1451-1500 , Flemish - - painting : religious

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Künstler: WEYDEN, Rogier van der

WEYDEN, Rogier van der Portrait Diptych of Philippe de Croy oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63863
Portrait Diptych of Philippe de Croy
1460 Oil on oak panel, 49 x 30 cm Koninklijk Museum voor Schone Kunsten, Antwerp Philippe de Croy's coat of arms surmounted by a helmet is framed, above, by the name of the subject of the portrait, and below by his title "Seigneur de Sempy." He bore this title from around 1452, but resigned it again in 1461. The painting must therefore have been done within that period. On the left, a vertical board in the panel has been renovated.Artist:WEYDEN, Rogier van der Title: Portrait Diptych of Philippe de Croy (reverse side) Painted in 1401-1450 , Flemish - - painting : other

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Künstler: WEYDEN, Rogier van der

WEYDEN, Rogier van der Braque Family Triptych oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63906
Braque Family Triptych
1450 Oil on oak panel, 41 x 68 cm Mus?e du Louvre, Paris The dark exterior was a reminder of the inevitability of death. The left frame bears a saying in French uttered by the skull: "See, you who are so proud and avaricious, my body was once beautiful but now is food for worms.." This skull is intended as a "likeness" of the dead Jean Braque, whose coat-of-arms is shown above it, reminding viewers of their mortality. The inscription on the cross on the right is from the apocryphal Book of Ecclesiasticus (Chapter 41, 1-2) and laments the bitterness of death.Artist:WEYDEN, Rogier van der Title: Braque Family Triptych (closed) Painted in 1401-1450 , Flemish - - painting : religious

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Künstler: SNYDERS, Frans

SNYDERS, Frans Fishmonger's oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63950
Fishmonger's
202 x 337 cm Koninklijk Museum voor Schone Kunsten, Antwerp Flemish artists of the 17th century, like Roelandt Savery and Jan van Kessel, use a narrative subject as a vehicle for painting their animals, while Frans Snyders, by contrast, takes a realistic starting point - a market scene - for his painting of the Fishmonger's. The dramatic, large format was also used for hunting scenes. , Artist: SNYDERS, Frans , Fishmonger's , 1601-1650 , Flemish , painting , still-life

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Künstler: SNYDERS, Frans

SNYDERS, Frans The Fishmonger oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 63951
The Fishmonger
170 x 145 cm Rockox House, Antwerp This is the surviving left segment of The Fishmonger with a figure by one of Rubens' pupils, and a view of the Antwerp wharf in the background. , Artist: SNYDERS, Frans , The Fishmonger , 1601-1650 , Flemish , painting , still-life

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Künstler: unknow artist

unknow artist Evangeliarum from Saint oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 64038
Evangeliarum from Saint
1180-1200 Illumination on parchment, 251 x 186 mm Museum Mayer van den Bergh, Antwerp , Artist: MINIATURIST, French , Evangeliarum from Saint-Amand Abbey , 1151-1200 , French , illumination , religious

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Künstler: unknow artist

unknow artist Memorial of Bishop Marius Ambrose Capello oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 64176
Memorial of Bishop Marius Ambrose Capello
1676 White an black marble O.-L. Vrouwekathedraal, Antwerp Bishop Capello died in 1676, leaving his possessions to the poor of Antwerp. The city almoners commissioned this memorial that same year. The monument was designed specifically for the location in the Antwerp Cathedral where the almoners used to have their 'counter', from which alms were dispensed to the poor. The impression created, therefore, was that their benefactor had risen from the grave to see that his will was being carried out properly. The presentation of the exalted bishop was both an exhortation to charity and an eternal tribute. The splendid mausoleum of the bishop, sculpted by Artus Quellin the Younger, stands in one of the choir chapels of the same Cathedral. , Artist: VERBRUGGEN, Hendrick Frans , Memorial of Bishop Marius Ambrose Capello , 1651-1700 , Flemish , sculpture , religious

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Künstler: RUBENS, Pieter Pauwel

RUBENS, Pieter Pauwel Return of the Prodigal Son oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 64182
Return of the Prodigal Son
1618 Oil on canvas, 107 x 155 cm Koninklijk Museum voor Schone Kunsten, Antwerp When Rubens died in 1640, he still possessed his Prodigal Son of 1618. Amongst his many grand altarpieces and dramatic mythological subjects, the creation of this rural scene, intended for his own living room, must have given him a great deal of pleasure. The biblical subject - depicted bottom right - serves merely as a vehicle for the painting of one of his earliest landscapes. , Artist: RUBENS, Pieter Pauwel , Return of the Prodigal Son , 1601-1650 , Flemish , painting , religious

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Künstler: unknow artist

unknow artist Cartouche with Flowers oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 64184
Cartouche with Flowers
66 x 85 cm Groeninge Museum, Bruges , Artist: VERBRUGGEN, Gaspar-Pieter the Younger , Cartouche with Flowers , 1701-1750 , Flemish , painting , still-life

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Künstler: unknow artist

unknow artist Garland of Flowers oil painting picture wholesale

Gemälde IDENTIFIZIERUNG:: 64187
Garland of Flowers
129,5 x 97,5 cm Museum voor Schone Kunsten, Ghent Garlands of flowers became a specialism in their own right within the overall genre of Flemish floral painting. The theme was developed by Jan Brueghel and perfected by his best-known pupil, Daniel Seghers. The garland customarily surrounds a medallion or cartouche containing a religious image that was usually added by another specialist artist. , Artist: SEGHERS, Daniel , Garland of Flowers , 1601-1650 , Flemish , painting , still-life

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Gemälde:: Stillleben