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Tableau:: still life

Précédent 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 Prochaine

Artiste: unknow artist

unknow artist Antigua Altar oil painting picture wholesale

ID de tableau:: 62418
Antigua Altar
1545-62 Polychrome wood Cathedral, Valladolid Juan de Juni received the commission for the Antigua altarpiece in 1545 and he finished it in 1562. (It was installed in Valladolid Cathedral in 1922.) Juni tried to produce a classical work in an architectural framework - the firt he ever used. Taken separately, the Corinthian columns, entablatures, and niches are based on the classical Italian arrangement, but the general organization, the relationship between the different parts, the proportions of the niches, and above all the importance given to sculpture are closer to Mannerism

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Artiste: Johan Christian Dahl

Johan Christian Dahl Organ oil painting picture wholesale

ID de tableau:: 62423
Organ
1754-56 - Benedictine Abbey, Ottobeuren The stalls and woodwork of the organ in the "Swabian Escorial" were done by Josef Christian, sculptor, Martin Hormann, cabinetmaker and Karl Josef Riepp, organ-maker, who together created one of the most beautiful musical instruments of all time. The relationship of masses and supports on the triple-storied organ, beneath the frescoed vault, the exuberance of forms in the cabinetwork and stuccoes, the variety in the sculptural vocabulary for the atlantes and the gilded reliefs - in themselves suggesting a harmony appropriate to 18th-century musical forms - combine in the ideal, total masterpiece that was to transmit the monks' prayers to the Heavens. It is the only 18th-century organ that still preserves entire its original form

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Artiste: Johan Christian Dahl

Johan Christian Dahl Interior with decoration oil painting picture wholesale

ID de tableau:: 62425
Interior with decoration
1739-64 - Benedictine Abbey, Ottobeuren The most grandiose of the monasteries rebuilt in Germany in the eighteenth century is the Benedictine Monastery of Ottobeuren near the frontier between Swabia and Bavaria; several architect (Simpert Kraemer, Joseph Effner, Johann Michael Fischer) worked on it and it was completed with all the buildings originally projected. The innumerable statues (mainly by Johann Josef Christian), ornamental motifs (by Johann Michael Feuchtmayr), and paintings (ceiling frescoes by Johann Jakob Zeiller) in the church join together rhythmically in that symphonic unity to which the Germans have given the name 'Gesamtkunstwerk.' The huge monastery, of which the church forms a part, is a kind of summing up of German Rococo. Author: CHRISTIAN, Johann Josef Title: Interior with decoration , 1751-1800 , German Form: sculpture , interior

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Artiste: unknow artist

unknow artist Tabernacle oil painting picture wholesale

ID de tableau:: 62429
Tabernacle
1283 Marble Santa Cecilia in Trastevere, Rome The tabernacle on the altar of Santa Cecilia in Trastevere seems to be complete in its state of conservation. According to a recently discovered inscription, it was made by Arnolfo di Cambio in 1293. It forms part of the final moment of an ample and consistent effort at restoration of the entire decorative system of the church of Santa Cecilia, which included the well-known Cavallini frescoes, the liturgical furnishings, and sculptural ornament. The obvious Gothic 'Rayonnant' character of this revision has recently been attributed to the patronage of a French cardinal, while the direction of the whole project has been attributed to Arnolfo, who, working in the last decades of the thirteenth century in the service of the major families, the new preaching orders, and the popes, without a shadow of doubt dominated the panorama of the most innovative Roman trends in the artistic field. The tabernacle repeats the structural complex and decorative scheme of the San Paolo fuori le Mura tabernacle but simplifies and strengthens the Gothic forms, creating a new proportional balance between the parts and revoking the concept of the whole in light of a more mature assimilation of the classical references. With respect to his first interpretation in Rayonnant taste, here Arnolfo reduced and redirected the ascending elements of the base of the cupola and the pendentives of the crown, and in addition attenuated the vertical soaring of the four gables and the trefoil arcades of the baldacchino, but created a notable development in the height of the supporting columns, to which he also added the original solution of cube-shaped dosserets, decorated with Cosmatesque mosaic. Author: ARNOLFO DI CAMBIO Title: Tabernacle , 1251-1300 , Italian Form: sculpture , religious

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Artiste: Philipp Otto Runge

Philipp Otto Runge Colour Spheres oil painting picture wholesale

ID de tableau:: 62453
Colour Spheres
1809 Copper engraving with watercolour, 225 x 189 mm Kunsthalle, Hamburg Runge was in close contact with Goethe over questions of colour theory. In his correspondence Newton's name crops up , the person present in the spirit of the whole age, an age as Enlightened as it was searching. In his painting Runge sought to derive the visible "images" or "symbols" for the "all-unifying" principle not only from form but from colour too. Author: RUNGE, Philipp Otto Title: Colour Spheres Form: graphics , 1801-1850 , German , other

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Artiste: Eugene Delacroix

Eugene Delacroix Bouquet of Flowers oil painting picture wholesale

ID de tableau:: 62516
Bouquet of Flowers
1849-50 Watercolour, gouache and pastel on paper, 650 x 654 mm Mus?e du Louvre, Paris Delacroix painted flower paintings and landscapes in his later years. The symbolic import typical of Delacroix's subjects seems here to be lacking. They might be described as an early case of 'art for art's sake'. Delacroix took time off from his exhausting monumental labours to paint the flowers in the garden of his friend George Sand. Author: DELACROIX, Eug?ne Title: Bouquet of Flowers Form: graphics , 1801-1850 , French , still-life

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Artiste: Michelangelo Buonarroti

Michelangelo Buonarroti Porta Pia begun oil painting picture wholesale

ID de tableau:: 62912
Porta Pia begun
1562 - Porta Pia, Rome Traces of Michelangelo's architectural activities are found in some parts of Rome. There are, for example, the sombre, crenellated bastions of the Porta Pia, where it is evident that the architect was primarily a sculptor. The central section, belonging to the 19th century, greatly weakens the dignified appearance of the original. Artist: MICHELANGELO Buonarroti Title: Porta Pia Date: 1501-1550 Italian , graphics : other

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Artiste: GHIRLANDAIO, Domenico

GHIRLANDAIO, Domenico Madonna and Child Enthroned with Saints oil painting picture wholesale

ID de tableau:: 62995
Madonna and Child Enthroned with Saints
1483 Tempera on wood Galleria degli Uffizi, Florence This detail of a flower vase on a colourful carpet could be taken from a Flemish panel painting if it were painted using the oil technique developed there rather than tempera, which Ghirlandaio used. In this detail, the artist creates a positive frenzy of colours and forms to enliven the picture. Artist: GHIRLANDAIO, Domenico Painting Title: Madonna and Child Enthroned with Saints (detail) , 1451-1500 Painting Style: Italian , , still-life

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Artiste: unknow artist

unknow artist Annunciation oil painting picture wholesale

ID de tableau:: 63008
Annunciation
1482 Fresco Loggia del Comune, Collegiata, San Gimignano The detail shows the lectern, reminiscent of Flemish still-lifes. Artist: MAINARDI, Bastiano Painting Title: Annunciation (detail) , 1451-1500 Painting Style: Italian , , still-life

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Artiste: WILLEBEECK, Petrus

WILLEBEECK, Petrus Still-Life - Oil on canvas oil painting picture wholesale

ID de tableau:: 63062
Still-Life - Oil on canvas
80 x 110 cm Rockox House, Antwerp Petrus Willebeeck was a still-life painter active in Antwerp. Artist: WILLEBEECK, Petrus Painting Title: Still-Life , 1601-1650 Painting Style: Flemish , , still-life

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Artiste: Barna da Siena

Barna da Siena Scenes from the New Testament oil painting picture wholesale

ID de tableau:: 63538
Scenes from the New Testament
1340 Fresco, height 800 cm Collegiate, San Gimignano The represented scenes are The Annunciation, The Entry into Jerusalem, The Betrayal of Judas and The Last Supper. This cycle is related to the frescos in the Campo Santo in Pisa and to the frescoes by Orcagna.Artist:BARNA DA SIENA Title: Scenes from the New Testament Painted in 1301-1350 , Italian - - painting : religious

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Artiste: Barna da Siena

Barna da Siena The Annunciation oil painting picture wholesale

ID de tableau:: 63539
The Annunciation
1340 Fresco Collegiate, San Gimignano The picture shows the upper scene of the fresco cycle.Artist:BARNA DA SIENA Title: The Annunciation Painted in 1301-1350 , Italian - - painting : religious

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Artiste: Albrecht Durer

Albrecht Durer Iris oil painting picture wholesale

ID de tableau:: 63585
Iris
1503 Brush, pen, ink, watercolour and body-colour, height: 77cm Kunsthalle, Bremen The flower (Iris trojana, formerly Iris germanica) was konown in the 15th century only in Venice. D?rer was probably inspired by the sketchbook of Jacopo Bellini during his fist stay in Venice.Artist:D?RER, Albrecht Title: Iris Painted in 1501-1550 , German - - graphics : other

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Artiste: Albrecht Durer

Albrecht Durer St Jerome in his Study oil painting picture wholesale

ID de tableau:: 63602
St Jerome in his Study
1514 Engraving, 259 x 201 mm Staatliche Kunsthalle, Karlsruhe St Jerome in his Study is stressing the contemplative rather than the active aspect of Christian life. The engraving shows the translator of the Bible deep in thought at his lectern, with the figure of the saint illuminated by sunlight streaming through the window panes into the cosy room. In front of St Jerome are the resting figures of his faithful lion and dog. A skull on the windowsill and an hourglass above the saint are reminders of the transience of life. The astonishing advance in D?rer's printmaking technique is evident when this engraving is compared with his early woodcut of the same subject. D?rer, according to the diary of his trip to the Netherlands during 1521-21, sold or gave away copies of this print more frequently than any of his others. It has been repeatedly asserted that this engraving was to be part of a projected series representing the four human temperaments. Only two others have been so far identified, Melencolia I, and Knight, Death and Devil. Although they correspond in size, D?rer never gave away all three as a set. Occasionally he gave away St Jerome and Melencolia I as a pair. In the last of the three master engravings, D?rer placed particular emphasis on the subtle differentiation of the material qualities of the objects, and the depiction of the interior according to the laws of central perspective, the converging lines of which terminate in the space to the right of the figure of the saint. The design is based on an exact plan of perspective. A certain degree of distortion is due to the fact that the vanishing point is placed close to the margin instead of the centre. This is a peculiarity that can be observed in other works by D?rer.Artist:D?RER, Albrecht Title: St Jerome in his Study Painted in 1501-1550 , German - - graphics : religious

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Artiste: Albrecht Durer

Albrecht Durer Study of Hands oil painting picture wholesale

ID de tableau:: 63650
Study of Hands
1506 Pen and ink heightened with white on paper, 206 x 185 mm Blasius Collection, Braunschweig D?rer's painting Christ among the Doctors (1506, Thyssen-Bornemisza Collection, Madrid) was based on a number of careful studies, including this one of Christ's gesticulating fingers.Artist:D?RER, Albrecht Title: Study of Hands Painted in 1501-1550 , German - - graphics : study

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Artiste: Albrecht Durer

Albrecht Durer Side, Front, and Back View of a Helmet oil painting picture wholesale

ID de tableau:: 63657
Side, Front, and Back View of a Helmet
1503 Pen, 422 x 268 mm Mus?e du Louvre, Paris The date 1514 is false. D?rer apparently owned the helmet. The side view was used in the 1503 copperplate engraving "The Coat-of-arms of Death," the front view in the engraving (to be dated not much later) "Coat-of-arms with a Rooster."Artist:D?RER, Albrecht Title: Side, Front, and Back View of a Helmet Painted in 1501-1550 , German - - graphics : study

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Artiste: Albrecht Durer

Albrecht Durer Study of an Apostle's Hands oil painting picture wholesale

ID de tableau:: 63660
Study of an Apostle's Hands
1508 Brush drawing on blue primed paper, 290 x 197 mm Graphische Sammlung Albertina, Vienna Several individual studies made for the destroyed altarpiece commissioned by the Frankfurt merchant and councilman Jakob Heller still survive. The so-called Praying Hands were a preliminary study for an apostle. Removed from their original context, they have been viewed as an autonomous work of art and have become enormously popular. In the 19th and 20th centuries in particular, numerous reproductions of the Praying Hands have graced the walls of middle-class homes as an embodiment and symbol of German piety.Artist:D?RER, Albrecht Title: Study of an Apostle's Hands (Praying Hands) Painted in 1501-1550 , German - - graphics : study

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Artiste: Albrecht Durer

Albrecht Durer Hand Study with Bible - Drawing oil painting picture wholesale

ID de tableau:: 63663
Hand Study with Bible - Drawing
280 x 120 mm Staatliche Graphische Sammlung, MunichArtist:D?RER, Albrecht Title: Hand Study with Bible Painted in 1501-1550 , German - - graphics : study

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Artiste: Albrecht Durer

Albrecht Durer Design of a Goblet with a Variant of the Base oil painting picture wholesale

ID de tableau:: 63680
Design of a Goblet with a Variant of the Base
1515 Pen, 256 x 167 mm British Museum, LondonArtist:D?RER, Albrecht Title: Design of a Goblet with a Variant of the Base Painted in 1501-1550 , German - - graphics : other

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Artiste: Albrecht Durer

Albrecht Durer Six Goblets - Pen oil painting picture wholesale

ID de tableau:: 63684
Six Goblets - Pen
200 x 285 mm Bibliothek, Dresden The legend reads: "morgen will ich ir mer machn" (tomorrow I shall make more of them). Individual Italian motifs are mingled with the German late Gothic style.Artist:D?RER, Albrecht Title: Six Goblets Painted in 1501-1550 , German - - graphics : other

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Tableau:: vie calme